Showing posts with label Capgun Coup. Show all posts
Showing posts with label Capgun Coup. Show all posts

Monday, April 18

Nik Fackler has an electro-rock opera debut album ready for InDreama

 as seen on Hear Nebraska

Nik Fackler was probably shaking the sand out of his shoes when I got ahold of him to discuss his outfit InDreama. The musician/filmmaker just finished escaping the Los Angeles asphalt for an evening of ocean gazing, only to be met by a prolonged traffic jam on the returning commute. He needed some nature, he says, after spending the day putting his projects in line before his two-week leave to Omaha the next day.

With eight current projects — since first trekking to LA last summer with two — Fackler clearly hasn't become a beach bum. Over the past year, he’s finished InDreama's debut record and then some, collaborating with  Flowers Forever pal Derek Pressnall (Tilly and the Wall) through their dance music project Icky Blossoms — swapping ideas and stepping in the studio whenever he’s back in Omaha. This time, Fackler’s back to celebrate the release of a four-way, double 7-inch split featuring Indreama, Icky Blossoms,  Conduits and Darren Keen persona Touch People 9 p.m. tonight (April 15) at the Slowdown.

InDreama’s lineup is quite the array. Capgun Coup/No I’m The Pilot’s Sam Martin isn’t quite the beholder of the band’s art-rock style, Fackler says, “but I think he likes the challenge.” He accompanies Fackler with vocals and guitar.



A New Year music video by Nik Fackler, starring Capgun's Sam Martin

Film industry friend Aaron Gum is the poet on synth, he says. Percussion will be on the double with Craig D. (Tilly, David Dondero) and add-on Kevin Donahue.

And then there’s Dereck Higgins. The local bass virtuoso has been deeply connected to Fackler, he says, since Fackler's puppy days as a 21-year-old picking up the guitar with The Family Radio. So it’s not surprising that Higgins influences Fackler’s first legitimate LP. Fackler definitely did some growing first, though.

“Family Radio, I look back and sort of feel like that was learning to play music,” he says, “cause as soon as I learned guitar I kinda started a band, and was sort of putting it all together. But then once we recorded the music, I didn’t like how it sounded.”

InDreama picks up from where his first band left off. Initially just a recording project, Fackler found his bearings with recording and production through experimentation. He also took the time to feel out the sound, with the goal of harnessing something interesting, not normal.

“InDreama is sort of my way of learning how to make an atmosphere for a song to exist in,” Fackler says, “which I think I learned a lot from working on Lovely, Still, and growing as an artist over those two years,” he says of his 2008 first feature film, shot in Omaha.

The album is set for release by this summer on Slumber Party Records. It’s untitled, and may never have a name to put to its 12 tracks, he says.

“The world that I was living in when I was writing, mixing and making the record isn’t the world that I live in now, internally and mentally,” Fackler says. “So it’s sort of weird to name something when I’m not connected to it anymore.”

Fackler began writing the music as he traveled from film festival to film festival promoting  Lovely, Still. The creative free time was a nice change from being 100 percent busy with the film, he says. Entirely new experiences and feelings, as well as falling in and out of love with a girl, shaped the album’s lyrics and variant of tones. He made sure to leave behind genre limitations and any doubts about what he was creating, he says. All musical expression had to be captured.

If there’s one word to describe the album, Fackler says, it would be eccentric. Interests in prog rock and classical music, thanks to Higgins, are mustered in with the experimental — the quality that really glares golden with an incredible range of sound elements, percussive and synthesized. Fackler touches totally different spectrums of vocals, something he says represents different characters within a story, on a journey depicted in a world called Dreama. In no way is he necessarily trying to sing like himself.

Make sure to check out the dreamy track “New Feeling,” an HN exclusive stream! And stream two additional tracks at their MySpace page. Psst: free downloads at Fackler’s Soundcloud page.
  InDreama - tracks from their Summer 2011 debut by J. Minnick


And possibly the most interesting detail: The album’s dynamic nods to a classical music listening experience (see the nine-minute electro-cadence epic “Exodus from Reunion, A + Storm ^ Great = End”).


Monday, February 28

Conchance debut goes out to the 'Calm Kids,' due out on Slumber Party in early May


photos by Tyler Chickinelli

It was well after business hours at Make Believe Studio when I met up with Omaha rapper Conchance. Owner Rick Carson was already pushing a 12-hour workday as I settled down on the couch in the dimly-lit, incense-infused control room.
Offsetting the serene atmosphere at this artist-friendly studio is a certain memo jotted at the top of Carson’s to-do list. He pulls out his planner and points out to task No. 1: “finish the Conchance record.”     
The project keeps the 20-somethings weighed down at the studio for late nights like these. But however work-fatigued these nights may be, they help give Conchance (Brent Walstrom Gomez; ‘Conny’) a particular piece of mind.   
“I’m not trying to fucking sit around and watch days go by,” he says.
Walstrom Gomez (who won an OEAA award this year for best rapper) will tell you that he’s already spent too much time “sleeping” on this project — months spent bumming around on friends’ couches and tour vans, from here to the West Coast. Not to mention the countless days residing at Hotel Frank with members of Capgun Coup; faded and left dormant by the previous night’s party and pot smoke. Whatever the pretense, living in the music-mecca-microcommunity with Capgun’s Sam Martin and Greg Elsasser unmistakeably shaped Walstrom Gomez as an artist, as it had on others before him.    
As Omaha’s once-premiere home and hang out spot to scene musicians, Hotel Frank’s 7,000-plus square feet (divided among three wings) helped cultivate artists from Son Ambulance to Cursive and The Good Life, along with individuals like Todd Fink and Conor Oberst. The house saw its final days of grandeur with Martin and Elsasser (also of No I’m The Pilot).
So it’s fitting that Walstrom Gomez’s first LP, Calm Kids, features work from his former Frank roommates. The Capgun pair helped with production and handed over beats for the album, which is due to drop in early May on Slumber Party Records.
Hear more of what Conchance has to say about living at Hotel Frank.
The album was almost named “Mr. Waites,” in memoriam of legendary Omaha jazz musician Luigi Waites, who past away last spring, Walstrom Gomez says. His uncle played with Waites for 25 years as a part of The Luigi Inc, a jazz band that remains one of his biggest musical influences.